In today’s media-saturated European societies, humour often takes centre stage in social conflicts. Humour and satire are widely recognised as a key manifestation of the freedom of speech. At the same time, humorous expression is increasingly disputed, condemned, and even censored. This project aimed to study the relation between humour and social conflict: first, to explore how humorous communication expresses protest, persuasion, cohesion or aversion; and second, to research how and when humorous communication is met with indignation or retaliation. To do this, we have conducted an analysis of humour in public controversies, which allowed us to understand how the humorous “mode” contributes to or alleviates public conflicts, as well as affects the public understanding of such conflicts.
Project description
- genre/s;
- medium (verbal/visual/both);
- communication style (direct/indirect; overstatement/understatement);
- rhetorical format;
- humour mechanisms (humorous stereotype, sexual innuendo, status reversal or challenging, transgression, grotesque, juxtaposition of text and image, parody, caricature, ambiguity, exaggeration, irony, recontextualization, word play).
- humorousness (humorous, non-humorous, unlaughter, unclear);
- assessment of humorous items (positive, negative, neutral, unclear);
- format (verbal, emoticons, images, gifs, combination);
- presence/absence of meta-comments and meta-linguistic comments.